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Jean-Louis Boissier
The interpersonal perspective, an expedient for interactive film making
It shall essentially be demonstrated how a purely optical perspective may be met with a more interpersonal perspective. The second of these concepts allows debriefing of the system, which by analogy with classical geometrical perspective, is perfectly able to produce and reconstitute correlations, in other words programmed interactivity. Both perspectives are at work in interactive film making.
In support of this submission is: Les Perspecteurs, a piece of installation documentation, a « didactic machine » which stage directs the confrontation between the two types of perspectives, based on a project of an Annunciation of the digital era. All in all, the issue of figurability of the correlations may be viewed as an interactive project, interactivity itself conceived as rendering the correlations virtual.
Recent publications:
1 Vidéo-Interactivité, work with DVD-Rom, HEAD, Geneva (coming out 2nd quarter 2009).
2 «La Question des nouveaux médias», in Pompidou Centre, 30 ans d'histoire, Pompidou Centre, 2007.
3 «A Poetic Strangeness Effect», catalogue in Japanese/English, “The Conquest of Imperfection”, Centre for Contemporary Graphic Art, Fukushima, Japan, 2007.
4 «Les arts interactifs s'exposent-ils», conference minutes ICHIM, BNF, Paris, 2005.
5 « La perspective relationnelle », in Invisibile, exhibition catalogue, Gli Ori, Sienna, 2004.
6 Jouable. Art, jeu et interactivité, supervisor of the collective work (368 pages) and the article «Jouable», HEAA/CIC, Geneva, 2004.
7 «L'image consultée», in Exposer l'image en mouvement, La Lettre volée, Brussels, 2004.
8 La Relation comme forme. L'interactivité en art, work (320 pages) and CD-Rom, published by the Geneva Museum of Modern and Contemporary Art (Mamco), 2004.
9 «Figurabilité des relations dans la vidéo interactive», in Créer du sens à l'ère numérique, Hermès, 2003.
10 «The Relation-Image», in Future Cinema, (Jeffrey Shaw and Peter Weibel ed.), ZKM-MIT Press, 2003.
11 «Vers un cinéma interactif», in Anomalie, N°3, 2003.
12 «Flux and repetition», in Actes du colloque Nam June Paik, Yonsei University, 2002.
13 «Visibilité-Lisibilité-Jouabilité», in Aesthetics journal, 2001.
14 L'Exercice du moment, one-man show catalogue, Kyoto Art Centre, 2000.
15 «Le moment interactif», in Moments de Jean-Jacques Rousseau, Gallimard, 2000.